By Janice Hardy, @Janice_Hardy
Your novel’s world will change the look and feel of every setting in that world.
Where is your novel set? It’s a basic question every writer can answer, either with a simple location or a description. For example, it’s set in New York vs. it’s set in an alternative Atlanta where magic and technology battle in waves over which one has control.
But look closer at those answers. One is a location, the other is a world.
“New York” can exist in any novel set in a big city. It gives readers a general sense of where the story takes place and what it looks like, but there’s a huge difference between New York in 1763 and New York in 2023.
“Alternative Atlanta” gives you a world that suggests far more than a basic setting for a story. Magic and technology, battling for control, which naturally leads to imagining the kind of people who live here and the problems they might face. It even says what genre this is. (For the curious, this is the world of Kate Daniels in Ilona Andrews’ urban fantasy series)
Showing posts with label world building. Show all posts
Showing posts with label world building. Show all posts
Monday, January 09, 2023
Monday, November 21, 2022
3 Ways to Connect Your World to Your Story
By Janice Hardy, @Janice_Hardy
Your story’s world can create unique problems for your protagonist.
Every story starts a different way—not in the “Once upon a time” aspect, but in how the idea first comes to you. Maybe it’s a line of dialogue, or a character, or a puzzle that needs to be solved. Something flashes through your brain and ignites a spark of imagination that you just have to explore further.
For my novel, The Shifter, the idea of a boy who could shift pain came first, and a world where that would be a problem. It quickly led to the creation of pain merchants who bought and sold pain, and how this boy thought going to them for help was a bad thing to do.
I had nothing beyond that. I had no plot, and no conflict. I didn’t even know this boy’s name.
But I did have a very cool world to play with, so I started brainstorming how a world that could buy and sell pain would operate. How did the mechanics of that work? Why did people even need to do it?
Eventually, I figured out the how and why, and then I found my story.
Your story’s world can create unique problems for your protagonist.
Every story starts a different way—not in the “Once upon a time” aspect, but in how the idea first comes to you. Maybe it’s a line of dialogue, or a character, or a puzzle that needs to be solved. Something flashes through your brain and ignites a spark of imagination that you just have to explore further.
For my novel, The Shifter, the idea of a boy who could shift pain came first, and a world where that would be a problem. It quickly led to the creation of pain merchants who bought and sold pain, and how this boy thought going to them for help was a bad thing to do.
I had nothing beyond that. I had no plot, and no conflict. I didn’t even know this boy’s name.
But I did have a very cool world to play with, so I started brainstorming how a world that could buy and sell pain would operate. How did the mechanics of that work? Why did people even need to do it?
Eventually, I figured out the how and why, and then I found my story.
Wednesday, October 13, 2021
Writers: How to Tell the Future
By R.W. W. Greene, @rwwgreene
Part of the How They Do It Series
JH: One of science fiction’s strengths is showing future possibilities and what life might be like in them. R.W.W. Greene shares tips on how to create plausible (and intriguing) futures.
R.W. W. Greene is the author of The Light Years and Twenty-Five to Life, on bookshelves now via Angry Robot Books. He is represented by Sara Megibow of the KT Literary Agency.
Website | Goodreads | Twitter | Instagram
Take it away RWW…
Part of the How They Do It Series
JH: One of science fiction’s strengths is showing future possibilities and what life might be like in them. R.W.W. Greene shares tips on how to create plausible (and intriguing) futures.
R.W. W. Greene is the author of The Light Years and Twenty-Five to Life, on bookshelves now via Angry Robot Books. He is represented by Sara Megibow of the KT Literary Agency.
Website | Goodreads | Twitter | Instagram
Take it away RWW…
Tuesday, October 05, 2021
Making Magic Systems That Work and Wow
By Bethany Henry
Part of The How They Do It Series
JH: There's something magical about making magic, and it's often a fantasy writer's favorite part of writing in that genre. Bethany Henry shares tips on how to create a compelling magic system for your novel.
Bethany Henry writes fantasy novels, and blogs about writing and wellness at bethany-henry.com. When not writing, she can often be found on the frisbee field, drinking tea, or reading picture books with her two little girls. Sign up for her email list for weekly posts on writing craft—along with fun extras like quotes and freebies.
Website | Blog | Facebook | Pinterest | Email List
Take it away Bethany...
Part of The How They Do It Series
JH: There's something magical about making magic, and it's often a fantasy writer's favorite part of writing in that genre. Bethany Henry shares tips on how to create a compelling magic system for your novel.
Bethany Henry writes fantasy novels, and blogs about writing and wellness at bethany-henry.com. When not writing, she can often be found on the frisbee field, drinking tea, or reading picture books with her two little girls. Sign up for her email list for weekly posts on writing craft—along with fun extras like quotes and freebies.
Website | Blog | Facebook | Pinterest | Email List
Take it away Bethany...
Tuesday, April 06, 2021
5 Ways to Use Holidays in Your Story
By Bethany Henry
Part of The How They Do It Series
JH: Celebrations can be delightful backdrops for a novel. Bethany Henry shares tips on how to enrich your story with a holiday.
Bethany Henry writes fantasy novels and blogs about writing and wellness at bethany-henry.com. When not writing, she can often be found on the frisbee field, drinking tea, or reading picture books with her two little girls. Sign up for her email list for weekly posts on writing craft- along with fun extras like quotes and freebies.
Website | Blog | Facebook | Pinterest | Email List
Take it away Bethany...
Part of The How They Do It Series
JH: Celebrations can be delightful backdrops for a novel. Bethany Henry shares tips on how to enrich your story with a holiday.
Bethany Henry writes fantasy novels and blogs about writing and wellness at bethany-henry.com. When not writing, she can often be found on the frisbee field, drinking tea, or reading picture books with her two little girls. Sign up for her email list for weekly posts on writing craft- along with fun extras like quotes and freebies.
Website | Blog | Facebook | Pinterest | Email List
Take it away Bethany...
Wednesday, February 03, 2021
3 Steps to Ground Readers in Your Story World
By Janice Hardy, @Janice_Hardy
Losing readers in the opening scene is a problem many novels face.
Opening scenes lead really stressful lives (metaphorically speaking). They have to hook readers, offer a compelling problem, introduce characters, show voice, and establish the world and setting by the end of the scene. No pressure, right?
I’ve been doing weekly critiques on this site since 2010, and the most common submission I get is the first page. So I’ve seen a lot of openings in a variety of genres and markets. And there’s one mistake I see writers make over and over.
Not grounding readers in the story world.
Ungrounded readers feel lost and confused, and the longer that confusion lasts, the more likely it is they’ll stop reading the book. They’re too busy trying to make sense of what they’re reading to lose themselves in the story. Quite often, they can’t connect to the characters because they can’t get a bead on who they are and what they want.
Losing readers in the opening scene is a problem many novels face.
Opening scenes lead really stressful lives (metaphorically speaking). They have to hook readers, offer a compelling problem, introduce characters, show voice, and establish the world and setting by the end of the scene. No pressure, right?
I’ve been doing weekly critiques on this site since 2010, and the most common submission I get is the first page. So I’ve seen a lot of openings in a variety of genres and markets. And there’s one mistake I see writers make over and over.
Not grounding readers in the story world.
Grounded readers have the tools they need to embrace—and enjoy—the story.
Ungrounded readers feel lost and confused, and the longer that confusion lasts, the more likely it is they’ll stop reading the book. They’re too busy trying to make sense of what they’re reading to lose themselves in the story. Quite often, they can’t connect to the characters because they can’t get a bead on who they are and what they want.
Thursday, January 21, 2021
4 Secrets to Successful World Building
By Laurence MacNaughton, @LMacNaughton
Part of The How They Do It Series
JH: A believable world is a must for a fantasy or science fiction author, but how much world do you really need to build? Laurence MacNaughton shares four secrets to craft a world readers will want to explore.
Anytime you write a story that breaks the boundaries of the "normal" world, you need to do what's called world building. Do it right, and you'll transport your readers to an amazing place they've never been. Do it wrong, and it will kill your story faster than a stake through the heart.
Whether you're talking about magic, monsters, aliens, space travel, whatever it is you want to write about, there's an art to world building.
Part of The How They Do It Series
JH: A believable world is a must for a fantasy or science fiction author, but how much world do you really need to build? Laurence MacNaughton shares four secrets to craft a world readers will want to explore.
Anytime you write a story that breaks the boundaries of the "normal" world, you need to do what's called world building. Do it right, and you'll transport your readers to an amazing place they've never been. Do it wrong, and it will kill your story faster than a stake through the heart.
Whether you're talking about magic, monsters, aliens, space travel, whatever it is you want to write about, there's an art to world building.
Thursday, October 01, 2020
The Fascinating World of History, Gender, and Characters in Deborah J. Ross's "Collaborators"
By Deborah J. Ross
Part of The How They Do It Series
JH: Creating alien worlds and cultures is a staple of science fiction. Deborah J. Ross shares how she developed the world and cultures in her novel, Collaborators.
Deborah J. Ross is an award-nominated writer and editor of fantasy and science fiction, with over a dozen novels and six dozen short stories in print. Her work has earned Honorable Mention in Year's Best SF, and nominations for Lambda Literary Award, Gaylactic Spectrum Award, the National Fantasy Federation Speculative Fiction Award for Best Author, and inclusion in the Otherwise Award List, Locus Recommended Reading, and Kirkus notable new release lists. She has served as Secretary to the Science Fiction Fantasy Writers of America (SFWA) and chaired the jury for the Philip K. Dick Award. When she's not writing, she knits for charity, plays classical piano, and practices yoga.
Part of The How They Do It Series
JH: Creating alien worlds and cultures is a staple of science fiction. Deborah J. Ross shares how she developed the world and cultures in her novel, Collaborators.
Deborah J. Ross is an award-nominated writer and editor of fantasy and science fiction, with over a dozen novels and six dozen short stories in print. Her work has earned Honorable Mention in Year's Best SF, and nominations for Lambda Literary Award, Gaylactic Spectrum Award, the National Fantasy Federation Speculative Fiction Award for Best Author, and inclusion in the Otherwise Award List, Locus Recommended Reading, and Kirkus notable new release lists. She has served as Secretary to the Science Fiction Fantasy Writers of America (SFWA) and chaired the jury for the Philip K. Dick Award. When she's not writing, she knits for charity, plays classical piano, and practices yoga.
Tuesday, June 18, 2019
Jamie Fraser Eats an Apple: Using Objects to Inject Character and World-Building into Dialogue
By Lisa Lowe Stauffer, @LisaLStauffer
Part of The How They Do It Series
JH: What’s in a scene is more than just stage dressing and props. It can be an opportunity to show your characters and the world they live in. Lisa Lowe Stauffer visits the lecture hall today with tips on how to do just that.
Lisa Lowe Stauffer, author of Two By Two (Zonderkidz, 2018) eagerly anticipates the release of the next book in the Outlander series. In the meantime, she stays busy writing books for children and teens, volunteering with SCBWI as the Assistant Regional Adviser to Southern Breeze region, and traveling with her own red-headed husband.
Website | Goodreads | Facebook | Twitter |
Take it away Lisa…
Part of The How They Do It Series
JH: What’s in a scene is more than just stage dressing and props. It can be an opportunity to show your characters and the world they live in. Lisa Lowe Stauffer visits the lecture hall today with tips on how to do just that.
Lisa Lowe Stauffer, author of Two By Two (Zonderkidz, 2018) eagerly anticipates the release of the next book in the Outlander series. In the meantime, she stays busy writing books for children and teens, volunteering with SCBWI as the Assistant Regional Adviser to Southern Breeze region, and traveling with her own red-headed husband.
Website | Goodreads | Facebook | Twitter |
Take it away Lisa…
Thursday, October 18, 2018
Starting your Series: Worldbuilding, Research, and… When to Stop
By J. Kathleen Cheney, @jkcheney
Part of the Indie Authors Series
Writers are caught in a world of conflicting priorities, exemplified by two axioms, one Portuguese, one Italian: Haste is the enemy of perfection and Perfection is the enemy of good
Like most things in life, it’s about the balance.![]()
When I first started writing my Golden City stories, I didn’t know what I was getting into. I planned a novelette of 15K words. I had an outline for a story set in 1900 Venice. I dove in and began writing… only to have the story tell me that Venice was not the right setting. After about 30 minutes of looking at European maps, I thought, Hey! I’ll set this in Portugal instead, and went on to finish the novelette.
Part of the Indie Authors Series
Writers are caught in a world of conflicting priorities, exemplified by two axioms, one Portuguese, one Italian: Haste is the enemy of perfection and Perfection is the enemy of good
Like most things in life, it’s about the balance.
HERE I BLATHER ON ABOUT HOW I REACHED THAT CONCLUSION
When I first started writing my Golden City stories, I didn’t know what I was getting into. I planned a novelette of 15K words. I had an outline for a story set in 1900 Venice. I dove in and began writing… only to have the story tell me that Venice was not the right setting. After about 30 minutes of looking at European maps, I thought, Hey! I’ll set this in Portugal instead, and went on to finish the novelette.
Tuesday, July 17, 2018
5 Steps to Creating a Perfect Fantasy World
By Andrew Wood, @andrewtheauthor
Part of the How They Do It Series
JH: Creating a fantasy world is half the fun of writing a fantasy novel. A lot goes into making a world feel real, and Andrew Wood visits the lecture hall today to share his process of building a fantasy world readers will lose themselves in.
Andrew Wood writes epic fantasy. He loves stories, whether they be books, movies, video games or comics, and is always on the hunt for more. He grew up on books like Redwall, the Wheel of Time and Harry Potter, and from stories like these his love of writing grew. Now he works full-time to tell the stories he has in my heart, and finally force them on to paper where they belong. His first novel, Storm of Fury, was recently published through Inkshares. You can find him on Patreon under his name, where he releases monthly horror, fantasy and sci-fi short stories.
Goodreads | Facebook | Twitter | Patreon
Take it away Andrew...
Part of the How They Do It Series
JH: Creating a fantasy world is half the fun of writing a fantasy novel. A lot goes into making a world feel real, and Andrew Wood visits the lecture hall today to share his process of building a fantasy world readers will lose themselves in.
Andrew Wood writes epic fantasy. He loves stories, whether they be books, movies, video games or comics, and is always on the hunt for more. He grew up on books like Redwall, the Wheel of Time and Harry Potter, and from stories like these his love of writing grew. Now he works full-time to tell the stories he has in my heart, and finally force them on to paper where they belong. His first novel, Storm of Fury, was recently published through Inkshares. You can find him on Patreon under his name, where he releases monthly horror, fantasy and sci-fi short stories.
Goodreads | Facebook | Twitter | Patreon
Take it away Andrew...
Tuesday, June 12, 2018
6 Secrets of Science Fiction and Fantasy World Building
By Laurence MacNaughton, @LMacNaughton
Part of the How They Do It Series (Contributing Author)
How do you, as a writer, build a new world that fascinates your readers, draws them in, and makes them want to come back for more? If you write fantasy, science fiction, or horror, you need to do your world building the right way. Here’s how.
We've all heard that truth is stranger than fiction. You can use the weirder aspects of our own world to build a more interesting story world of your own.
Before I sat down to create the crystal magic in my Dru Jasper urban fantasy series, I researched real-life crystals. I went to lapidaries (rock shops) in the Rocky Mountains. I attended gem and mineral shows. And I visited metaphysical shops to talk to people who really believe in crystal healing.
Part of the How They Do It Series (Contributing Author)
How do you, as a writer, build a new world that fascinates your readers, draws them in, and makes them want to come back for more? If you write fantasy, science fiction, or horror, you need to do your world building the right way. Here’s how.
1. Research until you find the weirdness.
We've all heard that truth is stranger than fiction. You can use the weirder aspects of our own world to build a more interesting story world of your own.
Before I sat down to create the crystal magic in my Dru Jasper urban fantasy series, I researched real-life crystals. I went to lapidaries (rock shops) in the Rocky Mountains. I attended gem and mineral shows. And I visited metaphysical shops to talk to people who really believe in crystal healing.
Monday, February 05, 2018
7 Tips for Creating Believable Fantasy or Science Fiction Worlds
By Janice Hardy, @Janice_Hardy
Half the fun of writing fantasy and science fiction is creating the world. It’s a way to stretch your creativity and design fascinating cultures and worlds that will hopefully engage readers and make them want to spend a lot of time in those worlds.
There’s a lot of elements to consider when designing a world, so here are some things to think about when creating yours:
Half the fun of writing fantasy and science fiction is creating the world. It’s a way to stretch your creativity and design fascinating cultures and worlds that will hopefully engage readers and make them want to spend a lot of time in those worlds.
There’s a lot of elements to consider when designing a world, so here are some things to think about when creating yours:
Wednesday, August 30, 2017
3 Steps to Building Your Story World
By Janice Hardy, @Janice_Hardy
World building is a part of every novel, even if there isn't much to do to create that world.
World building is a part of every novel, even if there isn't much to do to create that world.
Novels set in the present day in known cities don't
need as much work to convey the setting, and a skilled writer can bring
a familiar city to life in new and exciting ways. Historical writers
can take years researching their settings to get the world right, and
make their readers feel as though they've stepped back in time. Novels
set in fantasy or created worlds design them from the ground up,
envisioning the past, present, and even the future of those worlds.
For many writers, creating the world is half the fun of writing the novel. It's also half the work (if not more).
For many writers, creating the world is half the fun of writing the novel. It's also half the work (if not more).
Monday, July 24, 2017
Birth of a Book Part Seven: The Development Stage: Creating the Setting and Building the World
By Janice Hardy, @Janice_Hardy
Part of the Early Stages of a Novel Series
This series has been discussing the early stages of writing a novel. We started with the Stage One: the Idea Stage, beginning with the Inspirational Spark, moving on to Brainstorming the Idea, Clarifying the Idea, and wrapping it up with Testing the idea. Next, we moved on to Stage Two: Development, which got us looking at ways to create characters, and then further develop those characters. This week, we shift to setting and world building.
Although setting looks like step three in this series (idea, characters, setting), I often do considerable world building before I development my characters. As a fantasy writer, the story and world are so interconnected I need to know how my world works before I can do any serious story and character work.
Part of the Early Stages of a Novel Series
This series has been discussing the early stages of writing a novel. We started with the Stage One: the Idea Stage, beginning with the Inspirational Spark, moving on to Brainstorming the Idea, Clarifying the Idea, and wrapping it up with Testing the idea. Next, we moved on to Stage Two: Development, which got us looking at ways to create characters, and then further develop those characters. This week, we shift to setting and world building.
Although setting looks like step three in this series (idea, characters, setting), I often do considerable world building before I development my characters. As a fantasy writer, the story and world are so interconnected I need to know how my world works before I can do any serious story and character work.
Tuesday, May 16, 2017
Put the Science in Your Science Fiction
By Lesley L. Smith
Part of the How They Do It Series
JH: Back in the day when science fiction first became a thing, those writing it were mostly scientists. Since then, science fiction has expanded to include scientists and non-scientists alike, but the love of science has remained the same. Please help me welcome Lesley L. Smith to the lecture hall today to share her thoughts on science and science fiction.
Lesley L. Smith has a Ph.D. in Physics and an M.F.A. in Creative Writing. She's authored or co-authored scientific articles in the Physical Review, Modern Physics Letters, Astrophysical Journal and elsewhere. Her science fiction novels include The Quantum Cop, Kat Cubed, and Temporal Dreams.
Website | Goodreads
Take it away Lesley...
Part of the How They Do It Series
JH: Back in the day when science fiction first became a thing, those writing it were mostly scientists. Since then, science fiction has expanded to include scientists and non-scientists alike, but the love of science has remained the same. Please help me welcome Lesley L. Smith to the lecture hall today to share her thoughts on science and science fiction.
Lesley L. Smith has a Ph.D. in Physics and an M.F.A. in Creative Writing. She's authored or co-authored scientific articles in the Physical Review, Modern Physics Letters, Astrophysical Journal and elsewhere. Her science fiction novels include The Quantum Cop, Kat Cubed, and Temporal Dreams.
Website | Goodreads
Take it away Lesley...
Friday, January 27, 2017
It's Their World: World Building From the Ground Up
By Janice Hardy, @Janice_Hardy
One of the traps a writer can fall into is spending so much time developing a world they feel the need to put as much of that world into the story as possible. While it's good to know a lot about your world, the reader usually doesn't need to know everything you came up with. They just want to know what's relevant to the story. It's your job to find that balance.
Understanding your protagonist's place in that world can go a long way to figuring how much to share. How your protagonist moves through this world is how you're going to describe it to the reader. It's also a good way to avoid "world builders disease," or the urge to put it all in there.
One of the traps a writer can fall into is spending so much time developing a world they feel the need to put as much of that world into the story as possible. While it's good to know a lot about your world, the reader usually doesn't need to know everything you came up with. They just want to know what's relevant to the story. It's your job to find that balance.
Understanding your protagonist's place in that world can go a long way to figuring how much to share. How your protagonist moves through this world is how you're going to describe it to the reader. It's also a good way to avoid "world builders disease," or the urge to put it all in there.
Tuesday, January 03, 2017
How to Build a World (and Why): An Evolutionary Approach
By Zara Quentin, @zara_quentin
Part of the How They Do It Series
JH: Please help me welcome Zara Quentin to the lecture hall today, to share her thoughts and process on world-building.
Zara Quentin is the author of Airwoman, the first book in an exciting new young adult fantasy series. She was raised in Adelaide, Australia, with one younger sister. Zara grew up with a strong sense of adventure, which she inherited from her parents, who took her and her sister on trips to the United States, Europe, and Asia.
She's lived in France, London, and Auckland, New Zealand. She is always determined to fit in as much travel as possible. She now resides in Melbourne, Australia with her husband and three children. She is currently working on the next installment in the Airwoman series. You can get a free preview of Airwoman by signing up to her email list at www.zaraquentin.com.
Website | Facebook | Twitter | Goodreads | Instagram
Take it away Zara...
Part of the How They Do It Series
JH: Please help me welcome Zara Quentin to the lecture hall today, to share her thoughts and process on world-building.
Zara Quentin is the author of Airwoman, the first book in an exciting new young adult fantasy series. She was raised in Adelaide, Australia, with one younger sister. Zara grew up with a strong sense of adventure, which she inherited from her parents, who took her and her sister on trips to the United States, Europe, and Asia.
She's lived in France, London, and Auckland, New Zealand. She is always determined to fit in as much travel as possible. She now resides in Melbourne, Australia with her husband and three children. She is currently working on the next installment in the Airwoman series. You can get a free preview of Airwoman by signing up to her email list at www.zaraquentin.com.
Website | Facebook | Twitter | Goodreads | Instagram
Take it away Zara...
Tuesday, October 11, 2016
Backgrounding Your World Through Point of View
By Juliette Wade, @JulietteWade
Part of the How They Do It Series
JH: Even though we've spent so much time and effort on our worlds, the last thing we want if for it to read like we spent all this time and effort on our worlds. We want them to feel seamless, natural, as if they were real places. We want readers to see the people in the world. To help us do that, please enjoy this Golden Oldie from Juliette Wade today. She's probably one of the best at backgrounding worldbuilding details I know, with tips and examples on how to slip your world into your story so readers absorb it all in without realizing it.
Juliette hosts the Dive into Worldbuilding show on Google Hangouts, where she uses her academic expertise in anthropology and linguistics to take discussions of worldbuilding topics beyond the default. Her short fiction explores language and culture issues across the genres of fantasy and science fiction. She has appeared in Clarkesworld, Fantasy&Science Fiction, and Analog magazines.
If you're a fan of worldbuilding and want to take your skills further, you can also become a part of the Dive into Worldbuilding workshop. Join Juliette's Patreon and get brainstorming prompts, research links, exclusive peeks into research topics, or even get Juliette to help you with your work directly. https://www.patreon.com/JulietteWade. If you're interested in learning how linguistics can enhance your fiction writing, Juliette has an on-demand lesson called The Power of Words, now up at The Rambo Academy for Wayward Writers.
Website | Facebook | Twitter | Blog | Google+ | Goodreads
Take it away, Juliette...
Part of the How They Do It Series
JH: Even though we've spent so much time and effort on our worlds, the last thing we want if for it to read like we spent all this time and effort on our worlds. We want them to feel seamless, natural, as if they were real places. We want readers to see the people in the world. To help us do that, please enjoy this Golden Oldie from Juliette Wade today. She's probably one of the best at backgrounding worldbuilding details I know, with tips and examples on how to slip your world into your story so readers absorb it all in without realizing it.
Juliette hosts the Dive into Worldbuilding show on Google Hangouts, where she uses her academic expertise in anthropology and linguistics to take discussions of worldbuilding topics beyond the default. Her short fiction explores language and culture issues across the genres of fantasy and science fiction. She has appeared in Clarkesworld, Fantasy&Science Fiction, and Analog magazines.
If you're a fan of worldbuilding and want to take your skills further, you can also become a part of the Dive into Worldbuilding workshop. Join Juliette's Patreon and get brainstorming prompts, research links, exclusive peeks into research topics, or even get Juliette to help you with your work directly. https://www.patreon.com/JulietteWade. If you're interested in learning how linguistics can enhance your fiction writing, Juliette has an on-demand lesson called The Power of Words, now up at The Rambo Academy for Wayward Writers.
Website | Facebook | Twitter | Blog | Google+ | Goodreads
Take it away, Juliette...
Wednesday, June 15, 2016
Going Beyond the Default in Your Worldbuilding
By Juliette Wade, @JulietteWade
Part of the How They Do It Series
JH: Creating a rich world makes for a great novel, no matter if that world is based on fantasy or the world we know. But all too often, we rely on the default setting for our genre--such as medieval Europe for fantasy--and we rob ourselves of the chance to craft something unique. To share some tips on creating interesting world, please help me welcome worldbuilding guru, Juliette Wade.
Juliette hosts the Dive into Worldbuilding show on Google Hangouts, where she uses her academic expertise in anthropology and linguistics to take discussions of worldbuilding topics beyond the default. Her short fiction explores language and culture issues across the genres of fantasy and science fiction. She has appeared in Clarkesworld, Fantasy&Science Fiction, and Analog magazines.
If you're a fan of worldbuilding and want to take your skills further, you can also become a part of the Dive into Worldbuilding workshop. Join Juliette's Patreon and get brainstorming prompts, research links, exclusive peeks into research topics, or even get Juliette to help you with your work directly. https://www.patreon.com/JulietteWade
Take it away Juliette...
Part of the How They Do It Series
JH: Creating a rich world makes for a great novel, no matter if that world is based on fantasy or the world we know. But all too often, we rely on the default setting for our genre--such as medieval Europe for fantasy--and we rob ourselves of the chance to craft something unique. To share some tips on creating interesting world, please help me welcome worldbuilding guru, Juliette Wade.
Juliette hosts the Dive into Worldbuilding show on Google Hangouts, where she uses her academic expertise in anthropology and linguistics to take discussions of worldbuilding topics beyond the default. Her short fiction explores language and culture issues across the genres of fantasy and science fiction. She has appeared in Clarkesworld, Fantasy&Science Fiction, and Analog magazines.
If you're a fan of worldbuilding and want to take your skills further, you can also become a part of the Dive into Worldbuilding workshop. Join Juliette's Patreon and get brainstorming prompts, research links, exclusive peeks into research topics, or even get Juliette to help you with your work directly. https://www.patreon.com/JulietteWade
Take it away Juliette...
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