Creating
Conflict
Backstory
Finding a
Critique Group
Writing a
Synopsis
Word
Count
Plotting
In Layers
What Your Query
Says About Your Book
Describing
Your Characters
Point of View
& Characters
The First
250 Words
Passive
Voice

Is Your Writing
Getting Better?
Finding
an Agent
Tips On
Writing Action
Nice Writer
Syndrome?
Red Flag: Words
That Are Trouble
Plotting
The First
Draft
Edit -vs- Revise:
Deathmatch!
Guest Author
Claudia Gray
On Outlining
Guest Author
Kody Keplinger
On Dialog
Guest Author
Cynthia L. Smith
On Process
Guest Author
K.A. Stewart
On Character
Guest Author
Jana DeLeon
On Pantsing
Guest Author
Holly Cupala
On Writing Secrets
Guest Author
Nancy Holzner
On Dialog
Guest Author
Gini Koch
On Process
Guest Author
Vincent H O'Neil
On Research
Online
Resources
Books by
Janice Hardy
The Shifter
by Janice Hardy
Blue Fire
by Janice Hardy
8 Against Reality
inc. Janice Hardy
Diagnostics:
Submit Your Work

Friday, April 23, 2010

Let the Past Haunt You: Using Foreshadowing

I was working on a scene yesterday morning and I knew I needed to cause some trouble. It had been a while since I'd had Nya up to her eyeballs in danger, and it was about time she remembered who the boss was. I could have made something up, but I like drawing on what I've done so there's a nice sense of continuity.

So I looked at what I'd already foreshadowed.

Not actual plot stuff or real foreshadowing, that's too easy and probably predictable. Besides, anything good in the plot department is likely already scheduled to make trouble later. What I did, was look back at all those little offhand comments I'd made in the narrative. Things solely for color or mood.

We add all kinds of details to our stories just to raise the tension. The hint of things that could go wrong, even when we have no intention of actually having them happen. But what if they did? What if that fear your protag thought about in chapter six came to pass in some fashion in chapter thirty-six? What if the dangers someone mentions in passing become realities?

We have our protag walking into a dark house, or down a dark street, or even into the lair of some beast. To help scare the reader and make them worry, we have our protag think about all the terrible things that might be waiting for them up ahead.

Why not use some of them somewhere in the story?

You'll have extra oompf because the seed has already been planted in the reader's mind, and on some level, they're probably wondering if it'll happen anyway. They'll probably start worrying long before your protag does. You'll also build on what you've done before, so the story will feel tighter, and like you planned this all along.

But don't just look at things feared or mentioned. Look at any close calls your protag has had so far in the book. You've already teased the reader with it once, so if it happens again, they'll be all the more concerned this time it'll be real.

Those who ignore history, are doomed to think up new stuff.

10 comments:

Vonna said...

Fun post. Something to think about on this rainy writing day.

Jaydee Morgan said...

Those are really great ideas - and I plan to put them to work in my current WIP. Thanks!!

Donna Gambale said...

Fancy! I like this idea.

Marilynn Byerly said...

I'm of the firm belief that a writer's subconscious is busy planting things the writer is blind to at the moment.

When I rework a novel, I'll find lots of foreshadowing of events, I didn't think I'd planned until the moment I wrote it, and I'll discover that certain types of metaphors or images have kept appearing that fit a theme or event, I didn't know was coming.

Part of the trick for a writer is going back over the work and building on the bread crumb hints left by her subconscious.

My subconscious just showed its unhappiness of my comments by making me unable to spell "subconscious" which is a word I normally spell with ease.

Maynely a Mystery said...

Wise words...as usual

atsiko said...

This is a very effective technique. I remember a blog post I read awhile back on a very similar topic, but I can't think of where it was. But it sounded like a great idea then, and it's no less enticing now. It's always good to fire off a round from Chekhov's gun.

Natalie Aguirre said...

That's a great idea. It's one to keep in mind, especially in writing a series. You could even plant some of the potential problems in earlier books in the series.

Deb Salisbury said...

Hmm. You've sparked a fire under my muse. Thanks!

Jaleh D said...

Mining for ideas in stuff you've already written. Fun! I've done that in one of my WIP. It's a great feeling to go, "Ooo, here I've said this, and there I've done this. So, now over here I could have this other thing happen and have her say this!" Don't know about you, but it makes me giddy. :D Now I just have to finish the story.

Janice Hardy said...

I'm such a believer of the subconscious. Too many times things have clicked in my head and I realized there's all this groundwork already done for something cool I "came up with" later in the novel.

I think I might toss cool ideas out there to see what happens and where they go, and some work and some don't. The working ones turn into plot, the others either stay background stuff or get edited out. (or get used in the sequel!)