3 Ways to Boost Your Word Count Every Writing Session

By Janice Hardy, @Janice_Hardy

Boosting your word count and increasing your productivity is easier than you’d think.

Aside from the rare (and ridiculously prolific) outliers, I’ve never met a writer who didn’t wish they could write more in less time. After all, getting good words down quickly leads to more books finished in a year, which means more manuscripts to publish. And the more published books you have, the greater the chance you’ll be able to make a living a writer.

I’m no different. But since I haven’t found an easy way to clone myself, I’ve had to settle for ways to boost my productivity the old-fashioned way—becoming a more efficient writer and maximizing my writing time.

Boosting your word count is like getting in shape. It takes time, work, and the results improve over time.

No one decides to double their word count and just “does it.” You can’t spend one day at the gym and walk out looking like Chris Hemsworth or Scarlett Johansson. To buff your writing, you have to:

• Change something about your current process to be more effective
• Put that change into practice and evaluate the results
• Adjust the practice as needed
• Build skills using that new practice

The change doesn’t have to be huge to be effective. You also don’t have to do it all at once. A small change that’s easy to incorporate into your routine allows you to see results, which motivates you to make another change, which in turn boosts your productivity, and before you know it—you’ve doubled your word count (or more).

Here are three ways to make the most of your next writing session:

1. Set a timer for five minutes and jot down everything you want to cover in the scene or chapter.

This reminds (or helps you figure out) what you want the scene to cover. Don’t try to expand on it yet; only make a list or bullet points about what’s important and what you want to write about. The goal is to clarify your thoughts and focus on the general overview of the scene.

For example:

• Bob meets Jane at the bar
• Zombies attack
• Jane suspects the new guy
• Foreshadow ambush
• Get in subtext over Jane’s feelings

Write as much or as little as you need for five minutes. When the timer dings, move on to step two.

(Here’s more with A Quick Way to Outline Without Outlining)

2. Write a quick summary of what the POV character in the scene wants or is trying to do, who or what is in the way, and why it matters. The GMC+S.

Now that you have a general sense of what the scene will be about, summarize it. Write it out as if you were describing the scene to a friend. If any specific lines of dialogue come to you, go ahead and write those down, too. Be as messy as you’d like, because no one but you is going to read this.

This helps you put your thoughts in order and roughly outlines the scene you’re about to write. You can clarify the plot elements that will drive the scene—goal —>motivation__> conflict —> stakes. If you don’t have these pieces, that’s a red flag the scene is still missing the critical elements it needs.

(Here’s more with Goals, Conflicts, & Stakes: Why Plots Need All Three)

3. Finish this sentence: I want to write this scene because…

Finally, take a moment to understand why this scene needs to be in the book. Remind yourself why this scene matters and why you want to write it. If you can’t answer this, that’s a red flag that the scene might not be necessary, or it might be full of backstory or infodumps—especially if the only reason you have is because readers “need to know” something.

Scenes you want to write are typically scenes a reader wants to read. That passion and excitement makes its way onto the page and does more than just explain how the story works—it makes the reader excited to read it.

This entire process usually takes around fifteen to twenty minutes at first. With practice, you’ll be able to cut that down further if you want to—though you might like the routine of taking twenty minutes to warm up.

(Here’s more with The Benefits of Talking Through Your Scenes)

Boosting your word count and increasing your productivity is easier than you’d think. A few small changes in your process can lead to big results.

Is there anything you’d change about your process? Have you made a change that worked well for you?

Looking to improve your craft? Check out one of my books on writing: 

In-depth studies in my Skill Builders series include Understanding Conflict (And What It Really Means), and Understanding Show Don't Tell (And Really Getting It). My Foundations of Fiction series includes Planning Your Novel: Ideas and Structure, a self-guided workshop for planning or revising a novel, the companion Planning Your Novel Workbook, Revising Your Novel: First Draft to Finished Draft, your step-by-step guide to revising a novel. 

A long-time fantasy reader, Janice Hardy always wondered about the darker side of healing. For her fantasy trilogy The Healing Wars, she tapped into her own dark side to create a world where healing was dangerous, and those with the best intentions often made the worst choices. Her novels include The Shifter, Blue Fire, and Darkfall from Balzer+Bray/Harper Collins. The Shifter, was chosen for the 2014 list of "Ten Books All Young Georgians Should Read" from the Georgia Center for the Book. It was also shortlisted for the Waterstones Children's Book Prize, and The Truman Award in 2011.

Janice is also the founder of Fiction University, a site dedicated to helping writers improve their craft. Her popular Foundations of Fiction series includes Planning Your Novel: Ideas and Structure, a self-guided workshop for planning or revising a novel, the companion Planning Your Novel Workbook, Revising Your Novel: First Draft to Finished Draft, your step-by-step guide to revising a novel, and her Skill Builders Series, Understanding Show Don't Tell (And Really Getting It), and Understanding Conflict (And What It Really Means).   

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