Before any revision, it can be helpful to know exactly what you have to work with. Novels often change during a first draft, so any outlines or summaries could be outdated by the time you’re ready to revise.
Doing an editorial map (or book map) lets you know exactly how the novel unfolds and where it needs tweaking. It’s also a handy reference tool when you need to check when or how something happens.
As you create your editorial map, keep an eye out for weak spots and scenes you know you’ll want to work on. I like to add a revision note at the end of my scene summaries, such as: Need stronger goal, or fix character arc.
1. Identify what happens in every scene or chapter
You can either write these down or just think about them as you summarize your scenes, but aim for pinpointing the plot-driving goals and conflicts. These are the elements that create the novel’s plot. If plot mechanics are a common weak area for your first drafts, I recommend actually writing out these answers. It’ll force you to be specific, and the act of writing things down crystallizes what you mean, especially if you have trouble articulating it. Ask yourself:
- What is the POV character trying to do in this scene? (the goal)
- Why is she trying to do it? (the motivation for that goal)
- What’s in the way of her doing it? (the conflict)
- What happens if she doesn’t do it? (the stakes)
- What goes wrong (or right)? (how the story moves forward)
- What important plot or story elements are in the scene? (what you need to remember or what affects future scenes)
For an example, let’s take a peek at the opening scene of my teen novel The Shifter:
What is the POV character trying to do in this scene? Nya is trying to steal eggs for breakfast
Why is she trying to do it? She’s hungry and has no money to buy food
What’s in the way of her doing it? She’s caught by a night guard and the owner of the ranch
What happens if she doesn’t do it? She starves, and she might go to jail for stealing
What goes wrong (or right)? She runs for it, and uses her pain shifting ability to get away, which gets seen by two boys who alert the bad guys that she has this ability
What important plot or story elements are in the scene? She meets and helps Danello (who becomes a major secondary character and love interest), gets seen shifting pain by apprentices at the Healers’ League, and has a reason to go visit her sister at the Healers’ League in the morning, which is where she gets identified and comes to the bad guy’s notice.
Revision Red Flag: If you’re unable to answer any these questions, that could indicate you’re missing some (or all) of the goal-conflict-stakes plot mechanic.
2. Summarize what happens in every scene or chapter
Once you identify the core elements of the scene, summarize what happens—the actual action and choices made. This will be a great help when writing a future synopsis, as well as seeing how the story unfolds as a whole.
For example: Nya is stealing eggs for breakfast when she’s caught by a night guard and the owner of the chicken ranch. She makes a run for it, and in the process the night guard (Danello) is injured. Out of pity, she heals him and takes his pain, which is seen by two apprentices from the Healers’ League, who will tell the Elders about her. She knows she’s just revealed her pain shifting ability to the wrong people. It’ll be a risk to go to her sister at the Healers’ League in the morning to get rid of her pain, but she has no choice.
Revision Red Flag: If you can’t summarize the action in the scene, that could indicate there’s not enough external character activity going on. Perhaps this scene has a lot of backstory, description, or infodump in it. Be wary if there’s a lot of thinking, but no action taken as a result of that thinking.
3. Map out the entire novel
Go scene by scene and summarize the novel. By the end, you’ll have a solid map of how your novel unfolds and what the critical plot elements are. You’ll easily see where/if a plot thread dead ends, or wanders off, or even any scenes that lack goals or conflict, which will make your revisions that much easier to do. It’ll be clear what needs work and where.
Revision Red Flag: If you discover some chapters or scenes have a lot of information, while others have a line or two, that could indicate scenes that need fleshing out, or are heavy with non-story-driving elements that might need pruning. It could even show places where too much is going on in one area and readers might need a breather.
Optional Step: Map out any additional arcs you might want
Aside from the core plot elements, you can also include the critical steps in the character arc, the pacing of reveals or discovery of clues or secrets, how multiple POVs affect each other, or whatever else you want to track. For example, a mystery might have another paragraph that covers what the killer is doing, even though that’s never seen in the actual novel. These additional details can be woven into the scene summary, or kept as bullet points or a subparagraph if that’s easier. You might even have two or three paragraphs per scene: One for the plot, one for the character arcs, and one for information you need, but the characters don’t know yet.
This additional information can be very useful for tracking subplots or inner conflicts, as well as critical clues or what the antagonist is doing off-screen that’s affecting the protagonist. Timelines can also appear here if you need to know when events happen to ensure everything works together and you don’t have any 27-hour days. I like adding a simple time reminder at the top of every scene, such as: Day One, Morning.
The beauty of an editorial map is that it’s a quick and easy reference guide to the novel. If you get stuck during revisions you can flip over, see what happens when, where the story needs to go, and get back on track.
The editorial map will be your road map during the revision process.
Do you use an editorial map in your drafting or revision process?
Looking for tips on revising your novel? Check out my book Revising Your Novel: First Draft to Finished Draft, a series of self-guided workshops that help you revise your manuscript into a finished novel. Still working on your idea? Then try my just-released Planning Your Novel Workbook.
A long-time fantasy reader, Janice Hardy always wondered about the darker side of healing. For her fantasy trilogy The Healing Wars, she tapped into her own dark side to create a world where healing was dangerous, and those with the best intentions often made the worst choices. Her novels include The Shifter, Blue Fire, and Darkfall from Balzer+Bray/Harper Collins. The Shifter, was chosen for the 2014 list of "Ten Books All Young Georgians Should Read" from the Georgia Center for the Book. It was also shortlisted for the Waterstones Children's Book Prize, and The Truman Award in 2011.
Janice is also the founder of Fiction University, a site dedicated to helping writers improve their craft. Her popular Foundations of Fiction series includes Planning Your Novel: Ideas and Structure, a self-guided workshop for planning or revising a novel, the companion Planning Your Novel Workbook, Revising Your Novel: First Draft to Finished Draft, and the upcoming Understanding Show Don't Tell (And Really Getting It).
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