Please help me welcome Alythia Brown to the blog today, to chat with us about that scary time between hitting send and hearing back from an agent, and what might be causing that silence.
Alythia is an author, wife, mother, and owner of two stupid dogs. Her first novel, Dakota Captive, released October 1st. She also blogs about publishing and loves to read your comments!
Take it away Alythia...
You did it! Finally, after months and months of querying and countless form rejection letters, you managed to get an agent’s attention and she actually asked to read more of your manuscript. First, you probably held some kind of party-of-one celebration in your office. Second, you sent the work over as quickly as possible to avoid slipping out of the agent’s mind and losing the chance forever. Third, you checked your email every day (or hour) for about a month. Your fourth step in all of this is possibly where you are right now: wondering why you haven’t heard from the agent who so enthusiastically requested to read a portion of your book. That empty inbox stings every time you open your email. So what does the silence mean? After ruling out computer mishaps or vacation schedules for the agent, you may want to ask yourself some questions.
How’s My Voice?
Does your main character have a strong narrative voice? I don’t just mean someone who can throw around swear words in a weak effort to come off as tough. I mean, someone who can paint a complex picture of who they are. You don’t want to lose their flavor while consuming yourself with other details. A Plain Jane voice will lose the agent’s attention and emotional investment.
Are My Characters Consistent? Are they Cliché?
Readers get annoyed when they find inconsistencies. They’re also easily vexed by clichés. Remember that agents are readers! They are big-time booklovers who became agents because they’re passionate about literature. So, when you submit your work to an agent, you are submitting your work to someone who has probably devoured books since kindergarten. They’re going to notice if your MC said his favorite color was green when he already mentioned it was blue. They’re going to spot one-dimensional, cookie-cutter bullies who demand lunch money or else. If your book already has replicas with weak development within the first fifty pages, an agent will probably pass on reading much more.
Does Anything Drag?
Many writers have a talent for setting an intriguing stage and steadily building steam for the first three chapters or so. But it’s a hard act to keep up and, sometimes, the work can fall into a lull. Dear Agent may have nodded off. Although you need a smooth balance of serenity and excitement, all scenes should serve some kind of purpose in the great scheme of things and continue to engage the reader. Down time could simply be an opportunity for two enemies to sit together and begin to overcome their differences. It could be the time for developing romantic relationships. No matter the nature of the scene, you need to ask yourself if it’s necessary or if it’s just a bit of fat that needs trimming. Don’t make the agent wonder where is this going again?
Does My Punctuation Annoy People?
Do you use too many question marks???? Maybe you’re always excited! Perhaps—you—love—these—things—but—you—kind—of—forgot—how—or—when—to—use—them—so—you—use—them—all—the—time. OR YOU CAN’T STOP YELLING! Agents spot amateur moves right away. Frankly, they don’t have the time to correct your bad habits before shopping your book around to publishers. Do yourself a favor and take a refresher course on Mr. Semi-Colon and his friendly punctuation pals. While you’re at it, ask yourself…
Grammatically Speaking, Am I Behind?
This is a similar problem to the punctuation issue above. Review, review, review!
Is this World-Building or Data Dumping?
This issue is especially huge for fantasy writers. You have an insanely vivid imagination that allows you to create a world with unique creatures, cultures, vehicles, races, planets, or anything you intend to weave into the story. The only problem is that, because you’re so excited for your readers to understand your fantastical realm, you inadvertently dump tons of information into the beginning. The reason the term is world “building” and not world “dumping” is because you are expected to tactfully dispense information when needed. Your audience should feel sucked into this world, not confused, flipping through pages to piece it all together. If your introduction is a ten-page back-story explanation, the agent will spot this easy-out move and call your work a pass.
Will This Make People Laugh or Roll Their Eyes?
Everyone has a scene they write into their story, thinking it’s the most hilarious thing ever, only to review it a month later and cringe at the stupidity. Don’t worry. The cringe is a good thing. It means you’re accessing your work with a cold eye and trying to improve. Obviously humor will differ from person to person, but try to spot and remedy areas that don’t quite… work.
Did I Earn That Tear I’m Going For?
Writers, let’s just get it out there and admit that we like to make people cry. We want our work to move people. We want it to make them laugh, get angry, and, yes, cry. If I had to rate the ease of gaining these emotions from readers, they would fall in that order: happiness, anger, and sorrow. Why? Because laughing is a socially acceptable behavior. People do not guard that emotion. On the contrary, they often feel forced to fake it. Anger, however debatable, may come next. But the tears, in my humble opinion, are the most difficult to trigger because they make people feel the most vulnerable. As a writer, you will probably have an easy time making readers laugh. Making them angry is also pretty easy, especially if they’re protective of your protagonist. But tread cautiously in the tear department. If you have not delicately set the stage for high-impact feelings such as grief, loss, or blissful tears that come with unfeasible triumph, you will end up with an insincere scene that’s more of a desperate attempt to withdrawal unearned emotions.
Now for my questions…
- Did any of this speak to you and your current WIP?
- Without naming names, are you currently/optimistically/desperately awaiting an answer on a partial request? What helps you take your mind off the pins and needles?
- How long do you like to wait before you give the notorious nudge?
About Dakota Captive
A young adult fantasy novel with a Native American twist.
When the evil spirit of Jumlin returns with his army of Offspring, the Earth Spirits are summoned to protect the Lakota. Unbeknownst to Charli, these Earth Spirits are a sacred secret. So she probably shouldn’t have spied from behind a rock when they shifted from their animal forms, she shouldn’t have taken pictures, and she definitely shouldn’t have gotten caught. Now a hostile prisoner, Charli is forced to walk a long journey to reach the one man who can erase the knowledge of the Earth Spirits' existence from her mind.
Naturally, Charli thinks all she needs to do is keep her big mouth shut, get her memory erased, and go home. But Jumlin’s Offspring are stalking her. Since no one can explain this unusual behavior, it becomes imperative to enter the Other World--a place where the Lakota have lived traditionally and without foreign oppression (but not without menacing dragons). Aside from being kidnapped, whisked away to a foreign world, hunted, and forced to live amongst strangers, Charli must come to terms with a new nuisance: she's falling for one of her abductors