My second crit is up for auction now over at That Flighty Temptress. Although it doesn't mention it on the blog itself, this is the one that's for the Crits for Water campaign. You can bid on critiques and help bring fresh water to the people who desperately need it.
So, bid for a worthy cause and you can get a 2500 word critique from me, any genre, and market. The auction is open to midnight tonight, EST.
Wednesday, April 06, 2011
How To Find Your Voice
By Gini Koch
Gini is the author of the funny sci fi series of books including Touched by an Alien, Alien Tango, and the new release, Alien in the Family.
Take it away Gini...
Monday, April 04, 2011
Real Life Diagnostics: We Need to Talk: Bringing Out Emotions in Your Scene
I always worry about getting emotions and relationships to shine through on the page. In the following scene, I want to quickly establish a romance between the two characters (one of them dies at the end of the chapter -- there's not a lot of time to string it out). How or where can I better bring out character emotions, character relationships, and reader sympathy? It's the first chapter from this POV, so I'm also trying to ground the reader in a new setting and culture as the scene plays out. In the scene, Ebrow's just finished showing off some fancy moves with his meteor-fist, an elite weapon.
As always, the goal here is to focus on the questions and find places where the text is strong in those areas, and offer potential ways to strengthen any weak areas as it pertains to those questions. My comments in purple:
Sunday, April 03, 2011
The Long and Writing Road
Originally published during the Blue Fire blog tour at Tall Tales & Short Stories.
So, what’s it like being a published author? you ask. Has my life changed any since I published my book?
Not as much as you’d think. There have been changes for sure, but more in the time management area than anything else. However, the first year did go differently than the second year. Not all of it was what I expected, and some of it I wished I’d been better prepared for.
Year One: Book One
What I Expected: Lots of edits from my brand new editor in the form of those “edit letters” I’d read about. Not a lot else, actually. I’d heard so much about how little authors are involved in the covers, the marketing, the business side, I wasn’t sure how much interaction I’d really have with my editor.
What I Got: A lot more attention and involvement. My edit letters (I got more than one) weren’t as bad as the stories I’d heard, and the suggestions were almost always dead on. They were similar to the critiques I get from my crit group in style and tone, so there were no “scary letter from my editor” or anything. I did the changes I agreed with, sent it back, thought I was done, then I’d get a “just a few more queries” e-mail with things she caught again. I also found it interesting that they refer to questions as “queries,” so I guess you never escape “query letters” (har har). My editor and I spoke on the phone, we e-mailed, we talked again. There was a strong sense of a partnership to make the book the best it could be.
Then came the copy edits. A post-it-apocalypse of notes and comments. All of them good, and very impressive from a proofreading standpoint. I was awed by what the copy editor caught. Things like consistency of terms, spots where the voice didn’t sound right, unclear areas, etc. Several rounds of these, same as the regular edits.
And during all this, I got to meet my publicity person from Harper (through e-mail and phone), who went over the marketing plans for the release. I got to fill out an author questionnaire to help them with their marketing efforts. I had taken an online marketing class to prepare for this, so I sent her what I’d done in class and she was thrilled. She asked me about local bookstores and events so she’d know what things to focus on.
My agent was also right there through it all, making sure I understood what everything meant and asking questions I hadn’t known to ask. She also kept me updated on marketing efforts, print runs, how the bookstores were reacting to the book. She definitely had my back the whole time.
What Surprised Me: The edits were done on hard copy. I fully expected it all to be electronic. I was also allowed to participate in my cover designs. My day job is as a graphic designer, so the cover was important to me. I asked to be included and my editor graciously said yes. I was also surprised by the sheer number of people working behind the scenes to make sure my book was as good as it could be. The biggest surprise though, was how much influence book buyers have. Two major chains in the US didn’t like my title (though they loved the book), so we changed the title. It makes sense now, but I wasn’t expecting that.
What I Wish I’d Known: Even though I took the marketing class, I wish I’d done more to prepare for that side of it. My publisher did a lot, but I feel like I missed a few opportunities here and there over that first year. It wasn’t until much later that I figured out a good pitch line to describe my book to folks who asked (and they do ask). Or had cards printed up so I had something to hand them when they did ask. Or a catchy “sales speak” tagline about my book to put on my website and marketing materials. I was still treating my book like a book, but by then, it had become a product that needed selling.
Year Two: Book Two
What I Expected: The same things that happened in book one. Every book goes through the same process, right? Book two would be as easy to write as book one, and everything would go just as smoothly.
What I Got: Second books are different on practically every level. They aren’t kidding about that second-book slump, where your second published novel is hard to write and makes you want to give up. There was also less hand holding. My editor was as attentive as before, and I didn’t feel neglected, but she knew I’d been though it and now I understood how things worked. And she knew how I worked and knew I wasn’t going to melt down if she had a lot of comments or wanted me to do any major revisions. The copy edits were the same, though we did a lot more of them since the book was such a mess at first.
I also was assigned a new publicity person. They don’t do as much marketing on second books because you already have a reader base from book one. So that meant a little more effort on my part.
They let me become even more involved in the cover design, and I got to create mock ups for the illustrator. The cover of Blue Fire is my concept, (so is the idea for book three) and illustrator Brandon Dorman did an amazing job with it. This meant so much to me as a designer.
What Surprised Me: How hard book two was. I’d written plenty of novels, so it wasn’t like it was a real second book. But trust me, the book you write under contract feels a lot differently. I was also surprised by the change in the marketing, though it made sense, because my first PR person dealt more with debut novels, and I was no longer a debut. The biggest surprise – how supportive everyone was about me missing my deadlines and struggling so much with the novel. They all knew this happens and they were right there helping me through it. The book would not be getting the great reviews it’s getting now if it weren’t for my editor and agent. They had the faith that I could do it when I didn’t. They pushed me to do better and made me realize I really could do this.
What I Wish I’d Known: How hard it was going to be. Don’t get me wrong, it was all worth it, but the pressure is a lot higher on a second book. You’re writing book two while book one is out there, and you’re checking sales figures and reading reviews, and promoting your work and that takes a lot of time and energy away from the writing. And most books aren’t a runaway bestseller out of the gate, so there’s that added worry that your book will fail, even when it’s getting good reviews. You feel like you need to do so much, but the more you do the more you wear yourself out. You need to pace yourself, take care of yourself so you can stay in for the long haul.
The Year Three: Book Three Plan
I’m better prepared now. I know what to expect on both sides, good and bad. I’ll schedule my time and efforts better so I’m not so overwhelmed. I’ll work on marketing efforts far enough in advance so I’m ready for opportunities and not rushing at the last minute to get everything done. I’ll take a more proactive hand in marking and promotion, but not let it take over so I’m not getting any writing done. I think I’ll be able to find that balance between life, day job, and writing so none of them suffer and I’m not a crazy person half the year.
At least that’s the plan...
ETA: Since this was first posted last year, and now book three is done, I thought it would be fun to see if I accomplished my book three plan. I'm happy to say I pretty much did. Darkfall took a little longer than expected, and I needed to do two drafts before I was happy, but it was a much easier book to write overall. The hard stuff was tough only because it was wrapping up the series so there were a lot of things to tie up and keep track of. That required more tweaking on my part. I didn't balance life and writing as well as I'd hoped, but I did balance writing and marketing.
So, what’s it like being a published author? you ask. Has my life changed any since I published my book?
Not as much as you’d think. There have been changes for sure, but more in the time management area than anything else. However, the first year did go differently than the second year. Not all of it was what I expected, and some of it I wished I’d been better prepared for.
Year One: Book One
What I Expected: Lots of edits from my brand new editor in the form of those “edit letters” I’d read about. Not a lot else, actually. I’d heard so much about how little authors are involved in the covers, the marketing, the business side, I wasn’t sure how much interaction I’d really have with my editor.
What I Got: A lot more attention and involvement. My edit letters (I got more than one) weren’t as bad as the stories I’d heard, and the suggestions were almost always dead on. They were similar to the critiques I get from my crit group in style and tone, so there were no “scary letter from my editor” or anything. I did the changes I agreed with, sent it back, thought I was done, then I’d get a “just a few more queries” e-mail with things she caught again. I also found it interesting that they refer to questions as “queries,” so I guess you never escape “query letters” (har har). My editor and I spoke on the phone, we e-mailed, we talked again. There was a strong sense of a partnership to make the book the best it could be.
Then came the copy edits. A post-it-apocalypse of notes and comments. All of them good, and very impressive from a proofreading standpoint. I was awed by what the copy editor caught. Things like consistency of terms, spots where the voice didn’t sound right, unclear areas, etc. Several rounds of these, same as the regular edits.
And during all this, I got to meet my publicity person from Harper (through e-mail and phone), who went over the marketing plans for the release. I got to fill out an author questionnaire to help them with their marketing efforts. I had taken an online marketing class to prepare for this, so I sent her what I’d done in class and she was thrilled. She asked me about local bookstores and events so she’d know what things to focus on.
My agent was also right there through it all, making sure I understood what everything meant and asking questions I hadn’t known to ask. She also kept me updated on marketing efforts, print runs, how the bookstores were reacting to the book. She definitely had my back the whole time.
What Surprised Me: The edits were done on hard copy. I fully expected it all to be electronic. I was also allowed to participate in my cover designs. My day job is as a graphic designer, so the cover was important to me. I asked to be included and my editor graciously said yes. I was also surprised by the sheer number of people working behind the scenes to make sure my book was as good as it could be. The biggest surprise though, was how much influence book buyers have. Two major chains in the US didn’t like my title (though they loved the book), so we changed the title. It makes sense now, but I wasn’t expecting that.
What I Wish I’d Known: Even though I took the marketing class, I wish I’d done more to prepare for that side of it. My publisher did a lot, but I feel like I missed a few opportunities here and there over that first year. It wasn’t until much later that I figured out a good pitch line to describe my book to folks who asked (and they do ask). Or had cards printed up so I had something to hand them when they did ask. Or a catchy “sales speak” tagline about my book to put on my website and marketing materials. I was still treating my book like a book, but by then, it had become a product that needed selling.
Year Two: Book Two
What I Expected: The same things that happened in book one. Every book goes through the same process, right? Book two would be as easy to write as book one, and everything would go just as smoothly.
What I Got: Second books are different on practically every level. They aren’t kidding about that second-book slump, where your second published novel is hard to write and makes you want to give up. There was also less hand holding. My editor was as attentive as before, and I didn’t feel neglected, but she knew I’d been though it and now I understood how things worked. And she knew how I worked and knew I wasn’t going to melt down if she had a lot of comments or wanted me to do any major revisions. The copy edits were the same, though we did a lot more of them since the book was such a mess at first.
I also was assigned a new publicity person. They don’t do as much marketing on second books because you already have a reader base from book one. So that meant a little more effort on my part.
They let me become even more involved in the cover design, and I got to create mock ups for the illustrator. The cover of Blue Fire is my concept, (so is the idea for book three) and illustrator Brandon Dorman did an amazing job with it. This meant so much to me as a designer.
What Surprised Me: How hard book two was. I’d written plenty of novels, so it wasn’t like it was a real second book. But trust me, the book you write under contract feels a lot differently. I was also surprised by the change in the marketing, though it made sense, because my first PR person dealt more with debut novels, and I was no longer a debut. The biggest surprise – how supportive everyone was about me missing my deadlines and struggling so much with the novel. They all knew this happens and they were right there helping me through it. The book would not be getting the great reviews it’s getting now if it weren’t for my editor and agent. They had the faith that I could do it when I didn’t. They pushed me to do better and made me realize I really could do this.
What I Wish I’d Known: How hard it was going to be. Don’t get me wrong, it was all worth it, but the pressure is a lot higher on a second book. You’re writing book two while book one is out there, and you’re checking sales figures and reading reviews, and promoting your work and that takes a lot of time and energy away from the writing. And most books aren’t a runaway bestseller out of the gate, so there’s that added worry that your book will fail, even when it’s getting good reviews. You feel like you need to do so much, but the more you do the more you wear yourself out. You need to pace yourself, take care of yourself so you can stay in for the long haul.
The Year Three: Book Three Plan
I’m better prepared now. I know what to expect on both sides, good and bad. I’ll schedule my time and efforts better so I’m not so overwhelmed. I’ll work on marketing efforts far enough in advance so I’m ready for opportunities and not rushing at the last minute to get everything done. I’ll take a more proactive hand in marking and promotion, but not let it take over so I’m not getting any writing done. I think I’ll be able to find that balance between life, day job, and writing so none of them suffer and I’m not a crazy person half the year.
At least that’s the plan...
ETA: Since this was first posted last year, and now book three is done, I thought it would be fun to see if I accomplished my book three plan. I'm happy to say I pretty much did. Darkfall took a little longer than expected, and I needed to do two drafts before I was happy, but it was a much easier book to write overall. The hard stuff was tough only because it was wrapping up the series so there were a lot of things to tie up and keep track of. That required more tweaking on my part. I didn't balance life and writing as well as I'd hoped, but I did balance writing and marketing.
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